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Four young artists are working on the “Pascali method” not imitating their influential colleague, rather than inspiring them with his methods. As a result, in the concept curated by Roberto Lacarbonara, Antonella Zazzera, Raffella Formenti, Pieluigi Calignano and Fabrizio Bellomo, they reinvent the space of the foundation Pino Pascali with a series of works that come from the context of developing their own personal research.

Il mare e il cielo. Pino Pascali e Luigi Ghirri

Rosalba Branà, director of the Pino Pascali Museum and the curator Anna d’Elia talk about the show “Il Mare e il Cielo” (the sea and the sky) which brought for the first time to Puglia one of the most important artworks by Pino Pascali “32 mq di mare circa”, completely restored. This was also compared with “the sky” by Luigi Ghirri, 365 photographs of the sky, as with the days in a year. The artist, from Emilia Romagna, is one of the most well known, influential and inspiring photographers of the last century: the relationship with Pino Pascali’s poetry – ideal and not real – was very lyrical in the landscape of Polignano a Mare.

32 mq di mare circa. The restore

Rodolfo Corrias, head of the department of preservation at the GNAM – Museum of Modern Art in Rome, explains the procedure of restoration of the artwork by Pino Pascali 32 mq di mare circa. The documentary also offers the opportunity to discuss the status of the contemporary artwork. What should we have to preserve? The idea or the object? Indeed – if the artwork is mainly composed of water how can the Museum intervene against the effective ephemeral nature of the artistic project? The antinomy between artwork and fetish is an issue of this video.

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 “arTVision. A live art channel” is a project that promotes innovation in interactive, cultural and inter-institutional communication among Adriatic and European countries. The aim is to give maximum visibility to artworks, locally produced but with a high communicative value at international level, so as to make them accessible to a wide audience. Read more

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